Explore and connect the world through a cinematic lens, The Ugandan action comedy that became an internet sensation heralds the future of African Cinema. comes into play. Another man is killed in a hit and run. On Friday night’s Gold Rush, Parker Schnabel’s team is trying to move a huge trommel down the road to the airstrip. is solely made to entertain. Three films, two from African American filmmakers, that stand out not just because of their quality, but because they are films that broke new ground. And a bold coming-of-age gay love story d… No other African film can boast this kind of influence or success. It’s unlikely, This is a point I have brought up before many times, because I believe this is the best way to kickstart a fourth phase of African Cinema. The fact they are masterpieces has ensured they are more than just an interesting historical marker. On the deck, a young girl, Katie Harwood, is sitting alone, until the ship's captain offers to dance with her. is the first African film that has taken advantage of that. It achieves exactly the same thing, announcing a new type of filmmaking to the world, although by accident- Nabwana only made his film for the entertainment of the people of Wakaliga, but when it got uploaded to YouTube it introduced the internet to a unique piece of African filmmaking. It is an attempt at commercial, mainstream entertainment. Also, a panpipes cover of Seal's "Kiss From a Rose" plays during completely inappropriate times, like during a serious drama scene or a stealth scene. WHO KILLED CAPTAIN ALEX? Who Killed Captain Alex. Soviet ships’ officers would have been familiar with the story of Aleksandr Dudnik, the captain of the Aleut, the only factory ship the Soviets owned before World War II. It may have been creatively influenced by both East and West, but the viewer is always aware that it is a Ugandan film. You don’t need to read subtitles to appreciate stunt work or an effective scare. Once again, I say this in the broadest sense, but they draw comparison to certain African American films such as Julie Dash’s extraordinary 1992 film Daughters of the Dust. There is no other film quite like Who Killed Captain Alex?, and despite the obvious influences of Western action films and Chinese Martial Arts films, it does not strictly adhere to their traditional structures. Percent Change From Preceding Period in Real Gross Domestic Product.” Accessed Dec. 27, 2020. In the former, he jokes that a military base's cook is making "German food" from German tourists, and in the latter, he says that a group of children chasing a white character intend to eat him. There really is a Shaolin school in Uganda, and some of the actors enter kung fu tournaments regularly. Splitting hairs over definitions is all well and good amongst a select few. Toby (Adam Driver), a cynical advertising director, finds himself trapped in the outrageous delusions of an old Spanish shoe-maker (Jonathan Pryce) who believes himself to be Don Quixote. I don’t see a more effective way to increase Africa’s presence in the global cinematic conversation, advance the growth of its moviegoing culture and become a more financially influential market, than producing more Genre films. However, with Colonial forces leaving, there was clearly little desire for them to share and exhibit African films in any great way- it would have been a further demonstration of their perceived failure to maintain control. It has gained viral notoriety for being a no-budget action film, produced on a reported budget of under $200 though producer Alan Hofmanis admitted that it was a meager $85. Rebellion school of filmmaking, by one of the first publicly recognized African-American filmmakers since Oscar Micheaux. Sembene’s work slowly found some sort of second life in Europe, but that was confined to academia and the cinephiles. The Internet truly democratizes filmmaking, and Who Killed Captain Alex? Who Killed Captain Alex? Comparison to the silent era of Hollywood reminds us that Nabwana is the first true African movie mogul. Elsewhere, a hand presses a lever that unravels a thin wire cord from a spool. Pan-Africanism was becoming far more prominent, and Africans were in some ways beginning to shed the gentrified culture enforced upon them by oppressive colonialism. His decision to join the force had frayed friendships. It is based on the 2006 novel Cross by James Patterson and the third installment of the Alex Cross film series, which was considered as a reboot of the series. But Who Killed Captain Alex? He was 70-year-old.… has ushered in a more global, varied African Cinema that is advancing further towards the fourth phase- and that is why it is the most important African film of the 21st Century. This represents a much-needed evolution in what sort of African stories were being told. The film has achieved the same sort of impact as the aforementioned films, on a larger and less intellectual scale. The Death of Feminism (Not Really!) This author has consistently argued, to much ridicule, that a movie which proudly declares that everybody in Uganda knows Kung Fu can be compared to masterpieces like Ousmane Sembene’s Black Girl, Charles Burnett’s Killer of Sheep, and Barry Jenkins’ Moonlight. “We love the Chinese culture of Kung Fu which has its own importance like body fitness, self-defense … we need that in our society, it is almost a medicine,”. After stealthily sneaking into the base, taking out a few guards, and directly assaulting the base (interrupting a drug deal that the gang was conducting and getting the USF into a deadly and long gunfight with multiple Tiger Mafia goons), the USF commandos manage to capture the brother of the gang's leader Richard and escape unharmed. But Nabwana understands this. 723 films watched. These three films represent attempts to address the past, namely the occupation of rediscovering a pre-colonial history in relation to the impact of the slavery and colonization. AGFA is proud to bring two of the most reckless, out-of-control brain-blasts in the Wakaliwood canon to home video for the first time ever -- WHO KILLED CAPTAIN ALEX and BAD BLACK! provided action filmmaking on Ugandan terms. It cannot be argued that Africa Cinema is in its infancy, especially as it is a continent which contains the world’s third largest film industry, Nollywood. Phase Three: Overcoming The Past (2010-Present). Haile Gerima’s Sankofa and Roger Gnoan M’Bala’s Adanggaman are, to my mind, two of the best films from my self-defined second phase of African Cinema. This kind of kinetic cinema will reach wider audiences and be a much easier sell to distributors both niche and mainstream. | Stars: Kakule William, Kakule Wilson, Sserunya Ernest, G. Puffs. Fan Videos! The fact it is a piece of Genre cinema is crucial, too. The likes of Nollywood seem content where they are, and that is a big problem. Through a long-time passion for martial arts movie from the East, Nabwana seems to be one of the only African filmmakers capitalizing on Chinese interest in the continent. has brought him into the orbit of the most important film market of the present day. Their experimentation led to the most powerful global cultural institution of the last 100 years. It all starts with Nabwana- he has more ambition for Cinema beyond the art of filmmaking than perhaps any other African filmmaker in history. To date, Who Killed Captain Alex? Alex Cross is a 2012 American action thriller film directed by Rob Cohen and starring Tyler Perry as the title character and Matthew Fox as the villain Picasso. Directed by Rob Cohen. Tweets by Wakaliwood (X) BACK TO BASE. A recent documentary saw Nabwana visit China, as part of the latest Wakaliwood epic, As it becomes the largest film market in the world, Western filmmakers are scrambling for Chinese money with very mixed results –, It can certainly be problematic to assume, What Black Panther's Success Means For African Cinema, If Indian Movies Want Bigger Profits, They Should Focus on China, "Wolf Warrior 2" Shows a New Kind of Chinese Patriotism—That Speaks to Overseas Chinese, Interview: Berni Goldblat, Director of "Wallay", Review: "The Cursed Ones" and the Burden of History. The trailer for Who Killed Captain Alex? These are the tactics of Silent Cinema, as previously mentioned. It’s hard to really map out this phase as I consider it to be ongoing. Nabwana has developed an international outlook far earlier than any of the Hollywood studio moguls ever did. And a bold coming-of-age gay love story depicting a truly African-American experience that successfully crossed over into the mainstream and awards glory. They see no need to reach out beyond their receptive audience, and in the face of Globalism that is a poor move. Virality was clearly not Nabwana’s intention, but his creation has amassed a cult following who have sustained the film’s popularity on social media. It only makes sense these shared interests would include the arts as well. The movie has gathered this reputation due to the budget of only $200 making the VFX naturally awful, combined with the commentary by a Video Joker but has also been loved as a cult film due to the amount of effort involved. is important just because it is seen by a wide global audience; that African films that haven’t been so popular aren’t as important for the artistic techniques they employ, or the issues they address, or ground they break within their own country. This is another reason it is such an important film. Overlooking the potentially more sinister and disturbing complexities of Sino-African relations, as economic and political oppression in a different guise, there are shared interests for African nations and China, especially in undermining America’s soft power. “I don’t see a more effective way to increase Africa’s presence… than producing more Genre films.”. I believe that, for the sake of simplicity within this article, African Cinema’s history can be broken down into three broad phases. This does not dilute its contribution to African Cinema, in fact quite the opposite- like Black Girl, it is a film that spearheads a phase of African Cinema. They spearhead what I consider to be the three phases of African and African-American Cinema (more on that in a moment). There were many incredible African films made during this period, but even today many of them are hard to find. As Africa rebuilt in the post-colonial era, Cinema was considered as hardly an essential factor in the development of an independent continent, compared to infrastructure and economic sustainability. arrived, there was no going back. Directed by Nabwana I.G.G.. With Kakule William, Kakule Wilson, Sserunya Ernest, G. Puffs. will give the entire heritage of African Cinema back to Africans”. Who Killed Captain Alex? Approx 27" x 41" NOTE: Now you can choose between Captain Alex, The Cannibals, and our upcoming poster for Return of Uncle Benon. General audiences do not inherently refer to the Cinema of France as European Cinema, or the Cinema of South Korea as Asian Cinema. Before the conversation can advance, it needs to really get started. Killer of Sheep. There are not enough movie theaters, or digital platforms that are accessible to African audiences. Wakaliwood’s work has received tens of millions of views on the internet, and all despite a budget of approximately $200. They spearhead what I consider to be the three phases of African and African-American Cinema (more on that in a moment). Upon hearing the tragic news, his brother investigates to avenge Alex. Captain Alex Mason is a CIA operative and retired Marine Force Recon Captain.2 He is the main protagonist and the main playable character in Call of Duty: Black Ops. All this from the creative mind behind Ebola Hunter and Cannibal Mama. The common thread between these films is that they were announcements of a new type of filmmaker, or a new type of storytelling, or both. It has actively changed a certain part of African Cinema, and crucially exposed a wide variety of people outside the continent to what is being produced in Uganda. The first truly African film by an African filmmaker. Abderrahmane Sissako, as well, represent an increasingly emotionally complex, philosophically sophisticated and sensitive type of African Cinema. Alex Kueng is one of four former officers accused of crimes in the killing of Mr. Floyd, which happened on his third shift. Then played straight when the helicopter drops off some Supa Dupa Ugandans in New York City, and they attack Katz's Delicatessen. Black Girl is an essential part of a continent-wide sweep of political development, but Who Killed Captain Alex? If China pushes for as much development and intersection in Cinema as they have in so many other parts of the Continent, it will accelerate awareness of African Cinema- and Nabwana’s films would have started it all. Dudnik was a celebrated pioneer in the Soviet whaling industry, and had received the Order of Lenin—the Communist Party’s highest honor—in 1936. This thinkpiece could be criticised for being yet another analysis written within a Western frame of reference- that I am praising Who Killed Captain Alex? Let's try it again. Read more about Where's John Wayne When You Need Him? The likes of Sissako have led the way in presenting bold African filmmaking in the last decade, but these films and filmmakers are still not getting out there to wider audiences, unless those audiences really put in effort to seek them out. Thank you to all our Supa Fans! The internet allows for overcoming the historical problems of distribution that have crippled African Cinema. Now it is up to Bruce U, a mixed martial arts master and the dead captain's brother, to get revenge on the Tiger Mafia and bring Richard to justice before he, his Tiger Force goons, and his squadron of attack helicopters put a plan into motion to destroy Uganda's cities and bring down Uganda's government for good. Apparently, this trope comes into effect when most of the gun users don't even use iron sights. Who Killed Captain Alex? The film was made for over a year and a half in early 2010 on a budget of less than US$85(215,000 Ugandan shillings; or about $256 at Uganda's 2010 private consumption PPP conversion factor), which was raised via crowdfunding websites and donations. Just the fact they exist is enough of a milestone. Filmwelt Filmclub #28 - Who Killed Captain Alex?- Ausgewählt von DerLindi Vor der eigentlichen Review möchte ich erstmal folgendes sagen und zwar RESPEKT! — Mason to Woods. This is a point I have brought up before many times, because I believe this is the best way to kickstart a fourth phase of African Cinema. Kiplinger. doesn’t have this problem. The spool snaps and the wire slices across the dance floor, bise… The clock tower on the Palace of Westminster, the one with Big Ben in it, Why no, you're not going to find out who killed Captain Alex. As covered in my article about the doors that Black Panther has potentially opened to audiences, to expose them to more authentic African storytelling, high-concept genre filmmaking transcends cultural boundaries. African Cinema, as advanced as it was becoming, was not truly independent from forms of European influence. These problems have plagued African Cinema since the middle of the 20th Century, and until recently we have seen little effort to resolve the matter. 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